Crazy days, crazier nights. Working on Time was a fantastic experience for me.
I was responsible for the design of four European editions, under the art director Paul Lussier. We designed our own pages and also lifted and re-configured pages from the NY edition, (I show both in this post). Working on a weekly news title for three years took it out of me, (Fridays starting around 9.30, and sometimes working until dawn on Saturday), but it was probably my most exciting job to date. Being part of a magazine with such a global influence, watching massive stories break was incredible. In three mad years, I saw some photos I could never show anyone else, and some photos I couldn’t stop talking about.
